Dante's Heart
Re-tellings of the Orpheus Myth
Endnotes
1. Wing, Paul (narrator), Pan the Piper (Radio Corporation of America, 1935).
2. Publii Virgilii Maronis, Virgil’s Georgics, ed. R. A. B. Mynors (Oxford: Clarendon Press,
1969).
3. Publio Ovidi Nasonis, Metamorphoses, ed. R. J. Tarrant(Oxford: Oxford University Press,
2004).
4. Lee, M. Owen, Virgil as Orpheus: A Study of the Georgics (Albany: SUNY Press,
1996), 31.
5. Jeffrey, D. L., “The Exiled King: Sir Orfeo’s Harp and the Second Death of Eurydice.”
In: Mosaic 9 (1976), 45.
6. Wilkinson, L. P., The Georgics of Virgil: A Critical Survey (Cambridge: Cambridge
University Press, 1969), 116-17.
7. Lee, op.cit., 9, 4.
8. Ibid., 9.
9. Ibid., 5.
10. Gluck, Christoph Willibald, “Orfeo ed Euridice,” Metropolitan Opera, 1982.
11. Babich, Andrea G. Pisani, “The Power of the Kingdom and the Ties that Bind in Sir
Orfeo.” In: Neophilologus, 82 (1998): 480.
12. Cocteau, Jean, Orphée (Janus films, 1950).
13. Bliss, A. J., ed., Sir Orfeo, 2nd edn (Oxford: The Clarendon Press, 1966), 2.
14. Ibid., 4.
15. Rider, Jeff “Receiving Orpheus in the Middle Ages: Allegorization, Remythification
and Sir Orfeo.” In: PLL 24 (1988), 357.
16. Henson, Jim, “The Storyteller: Greek Myths" (Sony Pictures, 2003).
17. Taylor, Paul Beekman, “Sir Orfeo and the Minstrel King.” In: ANQ 13 (2000), 1.
18. Longsworth, Robert M., “Sir Orfeo, The Minstrel, and the Minstrel’s Art.” In: Studies
in Philology, 79 (1982): 1.
19. Bliss, op.cit., 6.
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Endnotes
1. Wing, Paul (narrator), Pan the Piper (Radio Corporation of America, 1935).
2. Publii Virgilii Maronis, Virgil’s Georgics, ed. R. A. B. Mynors (Oxford: Clarendon Press,
1969).
3. Publio Ovidi Nasonis, Metamorphoses, ed. R. J. Tarrant(Oxford: Oxford University Press,
2004).
4. Lee, M. Owen, Virgil as Orpheus: A Study of the Georgics (Albany: SUNY Press,
1996), 31.
5. Jeffrey, D. L., “The Exiled King: Sir Orfeo’s Harp and the Second Death of Eurydice.”
In: Mosaic 9 (1976), 45.
6. Wilkinson, L. P., The Georgics of Virgil: A Critical Survey (Cambridge: Cambridge
University Press, 1969), 116-17.
7. Lee, op.cit., 9, 4.
8. Ibid., 9.
9. Ibid., 5.
10. Gluck, Christoph Willibald, “Orfeo ed Euridice,” Metropolitan Opera, 1982.
11. Babich, Andrea G. Pisani, “The Power of the Kingdom and the Ties that Bind in Sir
Orfeo.” In: Neophilologus, 82 (1998): 480.
12. Cocteau, Jean, Orphée (Janus films, 1950).
13. Bliss, A. J., ed., Sir Orfeo, 2nd edn (Oxford: The Clarendon Press, 1966), 2.
14. Ibid., 4.
15. Rider, Jeff “Receiving Orpheus in the Middle Ages: Allegorization, Remythification
and Sir Orfeo.” In: PLL 24 (1988), 357.
16. Henson, Jim, “The Storyteller: Greek Myths" (Sony Pictures, 2003).
17. Taylor, Paul Beekman, “Sir Orfeo and the Minstrel King.” In: ANQ 13 (2000), 1.
18. Longsworth, Robert M., “Sir Orfeo, The Minstrel, and the Minstrel’s Art.” In: Studies
in Philology, 79 (1982): 1.
19. Bliss, op.cit., 6.
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